I was home and alone, restless. I’ve seen the 4 Rembrandt portraits a buncha times. But the 2 visiting from the Simon Norton Museum in Pasadena I haven’t seen in years. While looking for that gallery without directions I created a side tour through the classical European wing where Rembrandt, according to didactic logic, must be housed. This is what is thrilling and boring from the Chicago zeitgeist of today, April 22, 2019!
Edvard Munch’s The Girl by the Window. Such a beautiful side of the artist we’ve pigeonholed with The Scream. That one painted the same year as this comforting little gem. 1893.

Woman Bathing Her Feet in a Brook by Camille Pisarro 1894/95 is still the best of his large collection here. But the dab/point method in imitation of Van Gogh is boring.

But today, April 22, 2019, is a day when one artist will reign supreme. It started after many many galleries of droll uncaptivating fine art, when this one, it’s stupid blocky simplicity yanked me from across the room.

Who is that? Cézanne!
The Bay of Marseilles, Seen from L’Estaque, 1885.
So elemental! I want it in my living room above the fireplace. That’s a beautiful piece to give pleasure to visitors in my home.
It’s the only one amongst galleries and galleries with any draw. It comes off as simple. Pedantic. Floppy. Clumsy. Which is why it’s so refreshing. The prettiest fresh colors. Two other patrons were deep into conversation about this one just to its right.

The Bathers. 1899/1904
(Why the hell is there a slash in the years I don’t know. Last was a hyphen. Slash seems to say perhaps it was begun in 1899, put aside 4 years, then picked up again and finished in 1904.)

And then a damn tasty looking bowl a fruit.

Then this one. Not Cézanne but about Cézanne.

Woman in Front of a Still Life by Cézanne, 1890 Paul Gauguin
Gauguin’s Tahitian paintings are awkward today, possibly due to me stamping it by the appropriation/his-story debate in our society, but this one got me from across the room.
She looks like a zombie. The still life in the background of the painting Gauguin owned. He said he’d never part with it. Unless by direst necessity. He eventually did. For emergency medical bills in Tahiti. But this woman prefigures Picasso’s African-Indian mask phase. Great nod to Cézanne. A repainting of Cézanne’s still life which Gauguin loved, but marked w his style. The still life a backdrop for another still life, the woman. Like translation by a great artist of another artist’s poem. And so as Gauguin’s best painting of the day features a nod to Cézanne, so Cézanne takes the cake for today.
Light zingy lemon cake. With citrus cocktails on a summer Sunday afternoon in the shade. That kinda cake.

Here’s Cézanne’s woman, in a yellow chair, 1888-1890
Cézanne painted his wife, often in this chair, 30 times in this apartment where they lived with their son, located at 15, quail d’Anjou on the Ile-Saint-Louis.
Without me knowing either were his, in 2 different rooms, 2 separate times Cézanne yanked me from my brisk walk across the room to stop before them. Cézanne, my followers, is clearly the champion of the day.
Whereas Pisarro fails to excite.

Too diluted Van Gogh-esque. And even V.G. himself was regular and uninteresting today. Sure the Madame Roulin Rocking the Cradle (La Berceuse) 1889 caught my attention and made me smile.

Straight outta Cheshire cat from Alice in Wonderland. But today it’s merely hella novel. Not gripping. And people waiting in line to see the fantastic 1886 Self Portrait left me feeling quaint and dull.

And I similarly wanted nothing to do with Seurat’s A Sunday on La Grande Jatte 1884 or any of his. Once again, infinite “points” not capturing the day’s zeit nor geist.
This is though.


The Walker 1877-1878 Auguste Rodin
So strident. Bold and conquering. Like Ayn Rand’s what’s-his-name, John Galt, defying the striding world. Doesn’t even look like he’s walking! Feet so firmly planted. Fuck walking. This statue is strutting my great big mind.
Monet.
Snooze. Well. I won’t go that far. Every painting in here may it exist with as many others forever. But this one has some snare.

Houses of Parliament, London, 1904
It’s foggy and lost, like us, but with no emboldened flashing statements, unlike us.
We humans are always like and unlike each other for all times. But I think what’s catching today is what’s unpopular and forgotten. Ignored.
Ok. While backtracking can’t deny Van Gogh some time for Peasant Woman Digging in Front of Her Cottage.

But Pisarro is not the same. Not pleasurable today like Vincent still deigns to be.
But wait! What’s this?

Degas!
Degas Degas Degas!
Green Dancers! ~1878!
Degas!

Degas Degas Degas!
Young Spartan Girls Challenging Boys ~1860
Oh my Edgar Degas how exciting you are this April 22, 2019!

Yellow Dancers in the Wings 1874/76
Degas Degas Degas!
And still on the way to Rembrandt…a pit stop with Francisco José de Goya y Lucientes and his 1806 El Maragato vs Friar Pedro de Zaldivia

The attempt

The Friar feint

Uh-oh! The struggle for the gun!
Oh snap Friar’s gonna pistol whip and shoot his ass



See how Friar clowned the mothafucka!?
Ok..Rembrandt.
The Young Woman in an Open Half Door and Old Man with a Gold Chain I’ve seen many times and you can too. They’re quite something. But the 2 from Norton Simon visiting from Pasadena are my reason d’etre today.

Wdyt? 1655-1660
Thats the cutest face on a boy I’ve ever seen! Just made me bust into a happy all out grin. I just stood there in front of the painting grinning this big smiling grin, until I started worrying that the other patrons would think I was planning an attack on the painting so I moved away.
Just try it. Go stand before that painting and see if you can resist a huge smile. The painting evokes it. The boy does.
And here. The master of mind matter and luminosity himself.

Self Portrait, 1631
No doubt. Da bomb masterpieces!
But this April 22, 2019 the spirit goes to
#1) Paul Cézanne (1839-1906)
#2) Degas (1834-1917)
The post-impressionists take the day!
Come out and tell me if you agree.
And let’s see how I feel in May, when we’ll cruise to the Driehaus Museum for the Yinka Shonibare CBE exhibit….stay tuned, America, and thanks for listening.
Al Shannigan
Guest Writer/Gruff Sensationalist/Self Contradictionist for jedediahsmudge.com.